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Pamuk O. The Museum of Innocence

The Museum of Innocence -Orhan Pamuk (English Book )

Pamuk O. The Museum of Innocence


The Museum of Innocence - set in Istanbul between 1975 and today - tells the story of Kemal, the son of one of Istanbul`s richest families, and of his obsessive love for a poor and distant relation, the beautiful Fusun, who is a shop-girl in a small boutique. The novel depicts a panoramic view of life in Istanbul as it chronicles this long, obsessive, love affair between Kemal and Fusun; and Pamuk beautifully captures the identity crisis esperienced by Istanbul`s upper classes who find themselves caught between traditional and westernised ways of being..

759 RUR

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Pamuk O. The Innocence of Memories

The Museum of innocence Orhan Cotton Turkish Books

Pamuk O. The Red-Haired Woman

Ben Burt The Museum of Mankind


The Museum of Mankind was an innovative and popular showcase for minority cultures from around the non-Western world from 1970 to 1997. This memoir is a critical appreciation of its achievements in the various roles of a national museum, of the personalities of its staff and of the issues raised in the representation of exotic cultures. Issues of changing museum theory and practice are raised in a detailed case-study that also focuses on the social life of the museum community. This is the first history of a remarkable museum and a memorable interlude in the long history of one of the world’s oldest and greatest museums. Although not presented as an academic study, it should be useful for museum and cultural studies as a well as a wider readership interested in the British Museum.

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Steven Miller The Anatomy of a Museum


Written by a museum professional and based on a course taught for many years, The Anatomy of a Museum is an engaging and accessible volume that provides a unique insider’s guide to what museums are and how they operate. An insider’s view of the rarefied world of the museum that provides a refreshing and unique account of the reality of the workings of museum life The material has been successfully tested in a course that the author has taught for 14 years Miller has extensive experience at all levels of museum work, from painting walls for exhibitions to museum directorship Clearly and engagingly written, the book covers all the component parts and various disciplines of museum operations, and opinions and perspectives are drawn from a deep knowledge of the field Includes useful pedagogical material, including questions, discussion topics, and a range of anecdotes

8428.85 RUR

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The Museum of innocence Orhan Cotton Turkey Istanbul Nobel Laureate Turkish Writer Turkish Book Literature Fiction Story Poetry Story Reading Hobby

Pamuk O. A Strangeness in My Mind

Diana E. Marsh Extinct Monsters to Deep Time


Extinct Monsters to Deep Time is an ethnography that documents the growing friction between the research and outreach functions of the museum in the 21st century. Marsh describes participant observation and historical research at the Smithsonian’s National Museum of Natural History as it prepared for its largest-ever exhibit renovation, Deep Time. As a museum ethnography, the book provides a grounded perspective on the inner-workings of the world’s largest natural history museum and the social processes of communicating science to the public.

2515.99 RUR

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Уильям Блейк Songs of Innocence, and Songs of Experience


"Songs of Innocence and of Experience is an collection of poems by William Blake. It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. William Blake was also a painter before the songs of innocence and experience and made paintings such as Oberon, Titania, and Puck dancing with fairies. ""Innocence"« and „„Experience““ are definitions of consciousness that rethink Milton's existential-mythic states of „„Paradise““ and „„Fall““. Often, interpretations of this collection centre around a mythical dualism, where „„Innocence““ represents the „„unfallen world““ and „„Experience““ represents the „„fallen world““. Blake categorizes our modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a state of protected innocence rather than original sin, but not immune to the fallen world and its institutions. This world sometimes impinges on childhood itself, and in any event becomes known through „„experience““, a state of being marked by the loss of childhood vitality, by fear and inhibition, by social and political corruption, and by the manifold oppression of Church, State, and the ruling classes. The volume's „„Contrary States““ are sometimes signalled by patently repeated or contrasted titles: in Innocence, Infant Joy, in Experience, Infant Sorrow; in Innocence, The Lamb, in Experience, The Fly and The Tyger. The stark simplicity of poems such as The Chimney Sweeper and The Little Black Boy display Blake's acute sensibility to the realities of poverty and exploitation that accompanied the „„Dark Satanic Mills““ of the Industrial Revolution.»

49 RUR

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Pamuk O. My Name is Red

Paul Basu Exhibition Experiments


Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of – and experience with – museums. Explores examples of museum experimentalism in light of cutting-edge museum theory Draws on a range of global and topical examples, including museum experimentation, exhibitionary forms, the fate of conventional notions of ‘object’ and ‘representation’, and the impact of these changes Brings together an international group of art historians, anthropologists, and sociologists to question traditional disciplinary boundaries Considers the impact of technology on the museum space tackles a range of examples of experimentalism from many different countries, including Australia, Austria, Germany, Israel, Luxembourg, Sweden, the UK and the US Examines the changes and challenging new possibilities facing museum studies

11053.07 RUR

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Linda O. Johnston Colton First Responder


She must track down her husband, to prove she didn’t murder himSavannah Oliver is prime suspect for the murder of her ex-husband Zane – but she doesn't believe he’s dead. Escaping custody she must prove her innocence with the help of Grayson Colton. But as passions intensify and the body count grows it becomes a race against time to prove her innocence.

327.58 RUR

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Ana Sánchez Laws Museum Websites and Social Media


Online activities present a unique challenge for museums as they harness the potential of digital technology for sustainable development, trust building, and representations of diversity. This volume offers a holistic picture of museum online activities that can serve as a starting point for cross-disciplinary discussion. It is a resource for museum staff, students, designers, and researchers working at the intersection of cultural institutions and digital technologies. The aim is to provide insight into the issues behind designing and implementing web pages and social media to serve the broadest range of museum stakeholders.

2156.05 RUR

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The plague At Night/''Orhan Pamuk'' turkish novel selling nobel prize-winning author of turkish

Blake W. Songs of Innocence and of Experie


William Blake`s Songs of Innocence and of Experience includes some of the visionary poet`s finest and best-loved poems such as `The Lamb`, `The Chimney-Sweeper` and `The Tiger`.Part of the Macmillan Collector`s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has a foreword by Peter Harness.Blake`s work is instantly recognizable by its flamboyance and inventiveness. This gorgeous edition contains stunning reproductions of the fifty-four plates of the poems and illustrations together, which Blake etched himself and coloured by hand. Each has the poem printed on the facing page. Whilst Songs of Innocence captures the innocence of childhood, Songs of Experience is its contrasting sequel.

899 RUR

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Sarah Van Beurden Authentically African


Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.

2662.84 RUR

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Группа авторов Museum Transformations


MUSEUM TRANSFORMATIONS DECOLONIZATION AND DEMOCRATIZATION Edited By ANNIE E. COOMBES AND RUTH B. PHILLIPS Museum Transformations: Decolonization and Democratization addresses contemporary approaches to decolonization, greater democratization, and revisionist narratives in museum exhibition and program development around the world. The text explores how museums of art, history, and ethnography responded to deconstructive critiques from activists and poststructuralist and postcolonial theorists, and provided models for change to other types of museums and heritage sites. The volume's first set of essays discuss the role of the museum in the narration of difficult histories, and how altering the social attitudes and political structures that enable oppression requires the recognition of past histories of political and racial oppression and colonization in museums. Subsequent essays consider the museum's new roles in social action and discuss experimental projects that work to change power dynamics within institutions and leverage digital technology and new media.

5526.14 RUR

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